Reviews for The Essential George Jones

Por el miembro: redtunictroll - Nov 9, 2006

Superb overview of country music's legendary singer

Puntos Fuertes: Multilabel collection that samples nearly all of the key phases of Jones' career.

Puntos Débiles: Missing his late-60s Starday years.

The mergers and acquisitions that have marked the last decade of the record industry may be concentrating more power in the hands of the few, but it's also making it a lot easier to market multi-label anthologies of long-running artists such as Jones. This 2-CD, 40-track collection surveys nearly all facets of Jones' career, from his early success at Starday, through his breakout sides on Mercury, a stint on United Artists and his long run on Epic. Missing are his late '60s sides for Musicor, which had been licensed for earlier multilabel sets, but were unavailable (or too expensive) this time out. The out-of-print Musicor-focussd "George Jones: 24 Greatest Hits" (on the Tee Vee label) thus makes a nice complement to this set. ¶ Jones' earliest sides find him still in the thrall of honky-tonk legends Hank Williams and Lefty Frizell. His work for Starday and Mercury were hardcore country, honed in the roadhouses of his native East Texas. But by the start of the '60s, at the tail end of his tenure for Mercury, Jones started to find a new voice. On breakthroughs like "She Thinks I Still Care," Jones and his producer shook off a bit of the twang, slowed down the dancehall tempos, and introduced the beginnings of the vocal style that would become his trademark over the next two decades. ¶ The quality of his recordings surged and floundered throughout his hit-making years, alongside his drinking and drugging, but not always in correlation. At turns, the despair of his personal life fueled his performances, at other times it simply overtook him. By the end of the '60s, having left Musicor, he landed at Epic and wrote his legacy large with recordings produced by Billy Sherrill. Solo and with then-wife Tammy Wynette, Jones recorded many of country music's most indelible sides, including "Love You Could Never Be Better" and "Take Me." His divorce in 1975 and subsequent substance abuse fueled sides like "Memories of Us" and "A Drunk Can't Be a Man." Jones bottomed-out personally and triumphed professionally in 1980 with the song many consider to be country music's all-time greatest, "He Stopped Love Her Today." ¶ Jones continued to record with Sherrill into the late '80s, at which point he moved to MCA and finally to Asylum, minting top-10 singles (and catching a Grammy© for "Choices" in 1999) along the way. This 2-CD set provides a broad overview of Jones' career, save for the missing Musicor years, and provides an excellent introduction for the neophyte, as well as a nicely condensed listening experience for fans. [2006 redtunictroll at hotmail dot com]

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